*Recording frame rates are listed as integer values, but the actual frame rates are as follows:

30p = 29.97fps, 60p = 59.94fps, and 120p = 119.88fps.

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The gateway to cinematography

As a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony's top-level VENICE series. With high mobility, operability, expandability and reliability, it's ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.

For that professional cinematic look

The FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony's top-level VENICE cinema cameras, to bring your creative visions to life.

Product image showing a close-up of the full-size sensor of the FX2

Cinematic expression with a full-frame sensor

The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP2 resolution, giving ambitious cinematic visionaries everything they need.

Example image of a woman looking at scenery outside a window, her form silhouetted between two curtains

Outstanding image quality for maximum editing flexibility

The FX2's full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log33, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.

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Log recording modes for production flexibility

For creative flexibility, there are three modes available for Log recording—Flexible ISO, Cine EI, and Cine EI Quick—with Cine EI widely used in professional filmmaking for footage shot with post-production45 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.

Illustration showing a table summarising the FX2's recording formats and frame rates

Multiple recording formats for versatile shooting and editing

7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)6 recording is available in Super 35 mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.

[1] Recording format [2] Shooting frame rate [3] Recording frame rate7 [4] When recording in XAVC HS format, 29.97p or 25p is not available.

Product image of the UI screen for registering LUT files imported via a memory card

Import up to 16 user LUTs

With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files8 can be imported from memory cards or Sony's Creators' Cloud and selected as needed. 9 The LUT used for recording can then be embedded in the video metadata for post-production. 10

Product image of the screen showing a video clip shot using S-Cinetone

Create moods right in the camera

Picture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.

Product image of the UI screen for desqueeze settings

Desqueeze display for anamorphic lenses

Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.39:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings11, and Sony's Monitor and Control app provides even more detailed settings for monitoring on a tablet or other external display devices.12

Example image of a still frame from a video clip shot using slow motion

Frame rate freedom

An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion13 at 4K resolution, or up to 5x slow motion13 when recording in Full HD at up to 120fps.14

Product image showing a lineup of E-mount lenses from Sony

An extensive range of expressive E-mount lenses

Sony offers a range of more than 70 high-performance E-mount lenses15, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.

Designed for solo shooting

Combining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.

Product image of the screw holes on the top and bottom of the FX2

Compact and lightweight with built-in accessory mount points

With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 6.35 mm screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.

Example image of a woman in the street, looking over her shoulder

AI-based Real-time Recognition AF

Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects16. A detection frame indicates the recognised subject17 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX3018.

Example image of an alarm clock in focus in the foreground, with a woman reaching to stop the alarm in the bokeh background

Fine-tuned focus control

AF Assist19 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function20 can significantly enhance image stability.

Usage image of the FX2 mounted on a tripod in focus in the foreground, using the Auto Framing feature to track a woman walking in the bokeh background

Automatic framing using advanced AI

The FX2's Auto Framing feature21 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabiliser function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

Usage image of a man bent over holding an FX2 by an XLR handle, filming a woman walking

Stabilisation for dynamic handheld shooting

Active Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there's Dynamic active Mode that utilises electronic stabilisation for as much as 30%22 greater effect, making it possible to shoot stable footage even when running around23. Corresponding stabilisation metadata is embedded in the footage for efficient post-production.24

Usage image of a videographer taking photos in the foreground with two videographers filming video in the bokeh background

Stills at the flip of a switch

A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.

Product image of the UI screen for Log Shooting settings for still images

Visual consistency across stills and videos

The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Blackmagic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.25

Operability for professional filmmaking

The FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production.

Usage image of a videographer looking through an electronic viewfinder tilted at a 45-degree angle

Tiltable high-definition electronic viewfinder

Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50 mm lens, infinity focus, -1 m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.26

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Frequently used parameters all in one place

The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.

Illustration of the internal structure of the FX2 for heat management

Effective heat management

Enjoy uninterrupted video recording time for formats up to 4K 59.94p27. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.

Usage image of a videographer's arms holding the FX2 and filming a woman dancing in the bokeh background

Plenty of power for long shoots

A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time28 or up to 155 minutes of continuous shooting29. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD)30. The optional DC-C1 DC Coupler can supply stable power without occupying the camera's USB Type-C® terminal.

Usage image of a videographer holding the FX2 equipped with an XLR handle and microphone while filming a video

Digital audio without degradation

With an XLR Handle Unit XLR-H131 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.

Usage image of a videographer operating the FX2 mounted on a tripod, live streaming a woman speaking into a microphone

Easy live streaming

The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or a wireless or wired LAN32 network. You can stream up to 4K (3840 x 2160) 59.94p33 video via LAN while simultaneously recording to the camera's memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.

Product image of the FX2 showing its memory card slots and corresponding memory cards

CFexpress Type A memory card support

Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A34 cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.

Usage image showing a videographer operating the FX2 with an HDMI cable connected and outputting video to an external recorder

4:2:2 10-bit or 16-bit RAW output via HDMI

An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output33 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.

Sony FX2B Cinema Line Full-frame camera

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